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  • alleluias

    Monday, December 17th, 2012

    This is a call to worship for those for whom this christmas comes at too much of a cost:

    It takes faith beyond imagining
    to have come to hear this story
    if you are living things too difficult
    to be made sense of
    by an ancient memory of angels and wise men.

    It takes faith beyond imagining
    to have come to hear this story
    when you know that it will be a greater miracle
    than any virgin birth
    for love to be born right now in our world.

    The alleluias we sing today
    will not be to drown out the world’s truths that would deny them;
    but to pray they will hold us in their faith.

    So we gather
    the bewildered, the broken hearted, the fragile and the hopeful
    the faithful and the faithless
    because all we have left when we stand in the world’s darkness
    is this longing for love to be born once again.

    While I love the practice, I’ve always found it slightly bemusing that many churches do Blue Christmas services in the lead up to christmas, as though to get the sadness out of the way before we can focus on the main event. If a christmas message doesn’t speak into grief and fear and loneliness, then it’s not that true to the christian story of christmas…

    After the weekend, though, i keep thinking that maybe the only possible response to the horrors unfolding in the world is silence; praying that love will be born in the impossible situations and places.

    If you, like me, watched the news this weekend feeling helpless, and wondering how people in Connecticut [and China, Palestine, Syria, Samoa etc, etc] can ever learn to live again, then you might think about donating time or money to groups that are supporting people who have lived through deep trauma – like Foundation House, for example [other similar organisations can be found here].

    We don’t understand how people end up committing atrocious acts of violence. We do know that there are some mental illnesses that leave people much more vulnerable to being violent towards others and themselves. We also know that mental health services, especially critical care services, are in desperately short supply. While Australia is a world leader in progressive mental health policy, we come up very short on deliverables. This seems like a good time to write to local and federal mp’s, and ask them to champion a bi-partisan approach to mental health; to make it a top government priority.

    And if this next week is unbearably sad and lonely for you, may love be born into your darkest places. And if you stumble across alleluias, may they hold you in their faith.

    on having conversations

    Monday, November 26th, 2012

    a cross post from our new work website

    David Pargeter and I participated in some professional development a few months ago, around how we have conversations across the work environment. Fierce Conversations takes some basic principles about how healthy relationships are maintained, and applies them across a raft of conversational contexts: a coaching conversation, team conversations, delegation conversations and confrontational conversations.

    It was amazing training – quite transformative – and I’ve thought about it every day since. I’m so grateful for how it’s changing the way I work.

    One of the key ideas behind the model is the saying ‘All conversations are with yourself – and sometimes they are with other people’. Basically, every conversation is filtered through our belief systems, and we will only hear the parts of a conversation that match our beliefs. We forget to stay listening to what’s actually being said. And mostly, almost always, it happens unconsciously. Physiologically, it makes sense. It takes great physical energy to learn something new. Our brains are looking for shortcuts all the time, for the things that fit the patterns we are familiar with.

    It makes sense of why, in a meeting this morning, I heard three entirely different accounts of a presentation, each from people who were there, each of whom swore they heard what they heard. The best truth we heard in this morning’s meeting, was from the person who said ‘I know I was hearing the presentation through the lens of what I already knew. That means I could well have heard it wrong.’

    For pure practical reasons, we can’t live and work in environments where we are, in every conversation, reconstructing our knowledge base. We can’t operate in hypotheticals. We don’t have the time – or energy – it takes to unearth our beliefs and filters at every turn. But in our minds we need to hold the knowledge that our [often untested] beliefs will be the filter through which we are interpreting what is being said, and that they will inevitably distort what we hear.

    In Fierce Conversations, the challenge was to measure the effectiveness of a conversation by whether I come away from it knowing more, not from our traditional measure of whether I’ve been able to convince others of what I already know. In other words, it’s a good conversation if I make space for the other person – and their beliefs – to be equal partners in the conversation. Hence, ‘all conversations are with yourself – and sometimes they are with other people’.

    We’re facing tricky times in the church. We all know that. And we’re going to have to be good at conversations to get through it. We’re going to have to be ready to be wrong, because we will be. We’re going to have to remember that sometimes we’ll be in the same place, and we’ll swear we weren’t part of the same conversation. We’re going to have to give grace and curiosity a chance before giving judgement. Or else we’ll be committing a great injustice ourselves.

    Be kind, Phyllo of Alexandria said, for we are all fighting a great battle. I just pray we’ll work out a way to fight it from the same side.

    ever after

    Thursday, November 22nd, 2012

    my fingers curl around his
    just one last time
    making question marks of all the
    things we never had the courage to understand

    we delay the saying of final goodbyes
    we walk past the shop past the pub
    with its signs in the window exhorting us
    to dance as though no-one is watching
    and love as though you’ve never been hurt
    and i think, do they know that can kill you?

    we keep walking
    towards the chasm
    opening up in front of us

    i remind myself we always knew it would end like this.

    i wouldn’t have had it any other way
    i say,
    to convince myself.
    and he nods to do likewise.

    and as our fingers untangle
    just one last time
    the questions fall between us
    into the chasm that opens up

    and we let go.

    things

    Thursday, November 15th, 2012

    A random collection of things that are filling my space

    Things that matter first:

    I’ve been working on a new website for the Commission for Mission, which can be found here. It includes a blog which tells the story of the work of the CFM and its staff. I know you’d expect me to say this, but it’s true nonetheless – this is an extraordinary and creative working community with a breadth of responsibilities and possibilities that’s quite overwhelming and a capacity to do them that inspires me every day.


    The other things that matter:

    Looking for light is a tyranny we can’t afford right now – Anselm Kiefer
    rubbings3

    Rubbings from concrete blocks at the Ujina train station, Hiroshima

    I spent the first weekend of November at MONA in Hobart, at the Synaesthesia Festival. It was, as could only be expected, quite extraordinary.

    It was a weekend of extravagance – an over the top abundance of music, art, image, food, gorgeousness. I came away knowing I was alive, and so very grateful that my every day life so often reflects, even in a tiny way, the abundance of the weekend.

    salad

    There was food. A lot of it. And so beautiful it deserved the title of art installation itself.

    There was a lovely moment of deliberate sacred space on the second afternoon. Brian Ritchie, an original member of the Violent Femmes, now lives in Hobart. He was one of the directors of the festival. He’s a master in the playing of shakuhachi, the Japanese bamboo flute. In the far end of MONA, found only after wandering through labyrinthine rooms and passages, down the long corridor of sounds and past the library is a remarkable installation from Hiroshima. It’s blocks of concrete, taking from the benches of a train station in Hiroshima, which was, like much of the city, victim to the dropping of the atomic bomb. The blocks are part of a permanent installation at MONA, and one of the gallery’s interactive spaces where people are encouraged to do rubbings of the blocks. On this afternoon, Brian led a crowd of people down the corridors and through the spaces to where the blocks were, playing an ancient Japanese folk song on the flute. Placed on the blocks were calligraphic notations of the meditation music, on which people were invited to do rubbings. It became – as the best meditations do – an act of transformation. It was a seemingly futile act that made a different truth real.

    rubbings

    ujina

    It was the perfect example of how to create a transformative space: to put two truths together [beauty and devastation; longing and despair; fear and grace]. Not on top of each other as though they could ever cancel each other out, but a transparent layering – just seeing what might happen when they speak into each other.

    At the end of the passage where the blocks are is a gorgeous light filled room. It’s one of only two spaces in the gallery [which is built down into the side of the hill] that have windows – and the other is normally closed off. There’s an Anselm Kiefer installation filling the space. I bought a book of his work to read on the way home. It explores how his art talks of post-war Germany and of Kiefer’s attempts through art, to try to make sense of being German. I was struck by this commentary of his work: Kiefer was not mourning the Jews, but using the Jews to mourn for Germany, and then his own comments: Looking for light is a tyranny we can’t afford right now.

    kiefer


    The things that don’t matter:

    I created a poem last night. I couldn’t sleep; some work stuff was paralysing my mind. I recall lying in bed thinking how beautiful the poem was, and that it was liberating not to need to remember it. It was enough for the moment. And then I slept.

    fillingthegap

    the truth and other tiny stories – the wrap up

    Thursday, October 11th, 2012

    Photo 7-10-12 2 02 55 PM

    Our Fringe Festival basement installation was held last weekend.

    The team who do these installations are brilliant. Putting on these spaces is such hard work – physically, emotionally, communally. Working with this team is such a gift. We were light on, on Saturday, due to babies and weddings, but got some amazing extra help from a couple of people, and we even had 15 minutes breathing space before the space opened. I am in awe of their energy, humour, creativity, pragmatism and commitment. Putting these spaces on is bloody hard work. Luckily, it’s pretty rewarding in return.

    What we always hope for, from the spaces, is that people will encounter a moment of transformation; where they can put their story against a bigger story of life; where they can have their story held and honoured. There’s only a tiny part of that equation that we have control over. My nervousness in advance isn’t ever about whether we have prepared a gorgeous space [that's a given, with this team!]; it’s about whether we have prepared the kind of space that people can enter into and make their own. Over this last weekend we saw people changing in the space – coming in boisterous and belligerent for example, leaving hopeful and calm. We heard whispered stories of grief and promise and confusion. We had repeat visitors from people who just wanted to keep coming back, because they’d thought of another story they wanted to tell, or a truth they wanted to whisper: I think I might be gay… my girlfriend has just found out she’s pregnant… am I ever going to do more than this?

    It was a beautiful space… and it went something like this:

    at the entry we had three black plinths.

    BasementSpace2012-003

    Written on the plinths, in tiny font, to be read with magnifying glass, were the following words:

    We are here by virtue of an infinite number of stories
    that have collided and colluded to bring us to this moment

    They give us our truths, these stories:
    glorious, unfinished, inelegant, contradictory truths;
    none of which seem to make sense
    and all of which are all we have
    to make sense with.

    We spend our lives searching for the language that will speak of both our stories and their truths,
    and for the courage to tell what we now know out loud.

    There are spaces inside for you to move through
    Take as long as you need
    to find truths that are written out loud
    and discover those in a type too small to read

    to find where your story is told
    and where it doesn’t quite fit.

    It’s your space to do with as you will
    You are welcome.

    Below are images from the space inside, which was set up with more black plinths. Some were interactive: add your longing for the world [black ink dripped into a large vase of water, we filmed the water from inside the plinth and projected the ink dropping and dispersing onto the wall]; hold a worry doll and if you can let the anxieties that hold you go, leave it here; write the beliefs by which you live your life with the cut up words from the bible. People were invited to tweet their stories, which were displayed via visible tweets onto the wall. We had a gorgeous old dictionary, in which people were invited to sew a knot in the words that tie knots in them…

    BasementSpace2012-012

    They say we rework our memories of each day
    to fit the truth we have already decided about ourselves
    and each other;

    that we rewrite those events and conversations that don’t prove
    what we believe we are.

    Sometimes it’s just too hard to own
    that we might be loved
    or angry
    or scared
    or cruel
    or hopeful
    or free

    What are the words that you erase from your life? The things that are too hard to believe?

    Find them in the dictionary
    then take the needle and thread;
    sew a line under the words that you find too hard to hold onto.

    Leave them for us to name for you, when you can’t for yourself.

    BasementSpace2012-022

    … Hold a worry doll,
    and with it take hold of the worries that have always been part of your story.

    If now is the time to let them go, leave it here.
    If you aren’t yet able, take them with you…

    BasementSpace2012-014

    Our lives are a constant dismantling and reconstruction
    of truths and beliefs.

    Maybe you find yourself here
    wondering just what it is you can be sure of
    and wishing for the days when things were clear

    Use the words of faith
    [dismantled; waiting for reconstruction]

    and write the belief that holds you now
    when all other truth is found wanting

    or write your prayer or longing for truth
    in its place

    BasementSpace2012-008

    This water – like all water –
    has been part of the world
    forever.

    Imagine what stories it can tell:
    it knows the salt of human tears
    and the parched throats of desperate thirst
    it knows the hardness of rocks
    through which it’s had to force a path
    it’s been suspended for millennia in barely moving glaciers

    The water knows the truth of the world’s waiting
    the world’s pain
    the world’s thirst
    the world’s sadness

    using the eyedropper and the ink

    write or draw your prayer or dream or hope for the world
    into the water that already holds its stories

    Other spaces were just for contemplation – a lovely projection onto supermarket receipts that had been doctored with a reflection on the tiny lies that add up to us having no credit, an upside down plinth hung from the ceiling, made of fabric, behind which there were voices – playing on ipods – whispering the secrets the walls might hold, a slow motion loop, back and forth, of a wine glass smashing with a written reflection next to it about the moments in our lives that we replay and reconstruct over and over in the hope that this time they might end differently:

    We all have those moments that we replay
    over and over
    in desperate hope that this time it will end
    with who we were still whole

    but no matter how often we relive the moment -
    how often we tell the story again -
    it always ends with the sharp edges of who we are
    shattered on the floor around us
    and we can’t tell whether they will cut our truths or our lies to shreds
    if we so much as try to pick them up.

    BasementSpace2012-006

    BasementSpace2012-009

    I always love a space where people don’t just say ‘this was lovely’ as they leave, but where they tell you why it’s made an impact on them. The really moving thing about this space was that as people were leaving, everyone pointed to a different part of the installation as being the thing that made the most impact on them. And their stories of interaction, and reflections on the spaces, were incredibly moving.

    I get feedback sometimes that what we do is a bit pretentious, a bit too cultured. The feedback we got over the weekend – from the three lads from the outskirts of Melbourne who were in Melbourne for a night of drinking, and kept coming down from their hotel room to go through the space again because ‘this is more interesting than drinking’; from the young vietnamese woman who so proudly showed us her tiny tweeted story as it projected onto the wall; from the people who talked about bits of their lives that were smashing around them as they watched the wineglass smash over and over – is that pretentious or not, this works.

    And I have to say, there’s something incredibly moving about watching people be moved by a space you’ve been part of creating, that holds a bit of your story as well. How very lucky we are to not be alone.

    BasementSpace2012-016

    the truth and other tiny stories

    Thursday, October 4th, 2012

    Our Melbourne Fringe Festival installation is on this weekend: Saturday 6th from 6-9pm, and Sunday 7th from 2-5pm

    It’s in the basement, 130 Little Collins Street Melbourne
    [enter off Coromandel Lane]

    the hopeless truth

    Friday, August 24th, 2012

    I wrote this for our Fringe Festival show, The truth and other tiny stories, but we’re not going to use it.

    I always wanted to believe in God.
    so i did what you’re meant to do:

    sang the hymns
    prayed the prayers

    wished for a little more proof
    while pretending a whole stack of certainty.

    I even convinced myself
    for quite a while.

    I don’t remember when it stopped working
    but it must have
    because somehow now
    that life of faith seems like the lover
    whose long ago presence
    bewilders me…

    But i grieve now
    in the space that faith would fill
    wishing i could trust the things that
    would make this world
    and our lives
    OK.

    But i want to say this is faith too
    for those who can’t believe:
    the grief
    the longing
    the fear

    all wrapped with the hopeless truth
    that we simply don’t have what it takes.

    on ideas

    Thursday, August 9th, 2012

    I don’t think I create anything. I’m really serious – I discover the ideas.

    [...]

    If you understand how to think… If you have a background of graphic art, and you are a sports fan, and you’re literate, and you’re interested in politics, and you love opera, and ballet’s not bad either, and if you understand people… and you understand language, and you understand that product, and you understand the competitive products… and you put that all together in about ten minutes – the idea’s there.

    George Lois, art director.
    [via Maria Popova]

    I remember how to have ideas now. It’s 1% inspiration, 99% perspiration. You have to do the hard work of being interested in the world; of being in different places, of delving into really complex areas of life, of being interested in other people’s wisdom and experience and way of interacting with their world, of not being an expert. And then the ideas just come.

    I wish I didn’t forget that quite so often…

    things we have power to do

    Wednesday, August 8th, 2012

    barwonheads

    [gratuitous photo from last week's holidays that has nothing to do with this post...]

    I’ve been working on contextualising our staff code of conduct for people who work in a particular environment this week. The general codes of conduct that would normally apply don’t quite cover the areas we need them to, so we have to tweak and extend them. None of that really matters, except that I’ve been immersing myself in the language of treating people with dignity and respect.

    I love how work areas overlap and feed into each other. I’ve said a number of times that I’m finding a bit of culture shock coming back into church culture in this new role. One of the things that still shocks me [naive, i know] is the way we talk about other groups in the church. I’ve been thinking that it would be lovely to have that same expectation with regards to other bodies within the church and workplace, that we have with the way we talk about other people. We can’t make derogatory comments about another person. We are respected to act with respect towards another person. If we have a complaint about their work, or a comment to make about them, we take it, first of all, to them directly. We should be expected to do that about another part of the church.

    Blaming is a dominant characteristic within the church. So many of our conversations are based around the idea that ‘they should… [change, stop, understand, agree]‘ . Coupled with that is an unhealthy tendency to depersonalise – and dehumanise – our structures. We forget that there are people like us, trying with the same passion and commitment as us, to be faithful to their work and their faith. We characterise others as being self-interested and defensive; as having suspicious motives and no grasp on reality. We talk about others’ areas of work as though they can be discarded, not valued. We believe we know best, so can find easy fault with them or offer unsolicited, uneducated advice about how they should be doing their work. We search only for the evidence that will suit our beliefs about them.

    Fierce Conversations would ask the question ‘why do you need them to be at fault?’, or ‘how does them being at fault get you off the hook?’. It would ask it with curiosity, holding gently to the answer. And it wouldn’t be rhetorical.

    Blaming gives easy solutions to what are complex problems that are still too difficult to have answers to – and as such, they are the wrong solution. And they will always be the wrong solution, because they are created from an culture of lack of ownership, accountability and respect. The new reality created by the solution will be carved from that same culture. It will be marked by lack of trust and respect. And as such it will fail again.

    From my experience, without exception, I’ve found that when people take the time to understand and question – with curiosity, not suspicion – another person or group’s motives and work, they come away unable to blame in the way they did before. We are always changed by curious conversations. We become bigger. The conversation going forward is coloured by new truths and perspective. But being curious takes energy, humility and rare courage. It also creates energy, humility and courage: we become the change we were wanting.

    So, in my dream code of conduct for groups in the church, I’d include a line that says you don’t get to talk down another part of the church without having talked to them specifically and directly about the issue, and without having been changed by that conversation. And we’d have to do that with a respectful curiosity, knowing that solution to the problem starts to unfold not from an answer, but simply from having the conversation.

    Luckily, I’m in a position where I get to act on things like this. [It's funny how difficult it is to step up to the responsiblity to act, even when one has the possibility. It's so much easier to know what you would do in a situation when you don't have the power / responsibility to do it!] As such, I’m going to take this idea to the places where I have a voice. And since that will only work if I model it myself, I guess I’ll have to do that too…

    how to be here

    Tuesday, August 7th, 2012

    so this is what it means to be human
    knowing that not all stories of pain and love
    end with the happy,
    that sometimes
    this point of raw knowing -
    that i’m not whole without you
    that i need you to breathe
    more than i need myself to breathe -

    is its own end.

    grief comes
    when i search for the guidebook
    that says how to be here
    without aiming for an impossible there
    and when the only place i find it
    is in you.

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