the pre-holiday wrap

so many things i’ve been meaning to write about…

it’s finished now, but Ecstatic City at the ngv was simply superb. Due to the water crisis in melbourne the fountains in the moat at the front of the gallery have been switched off, so Chris Doyle made a fountain by projecting images of melbourne people jumping onto the front of the gallery. It was beautiful.

21:100:100 is still on… it’s a sound installation in at Gertrude art gallery, 100 works by 100 sound artists… everything ambient, electronica, drone. i was a little underwhelmed when i walked in – i wanted images, or darkness, some way of getting lost in it – but after a while i felt like a kid in a candy store. It’s an overwhelming collection of works, best consumed in medium sized doses over repeat visits. we were there for a couple of hours the other day. i’d really like to do more with sound in the stuff we do. it’s always the thing we think of last, the accompanying soundtrack rather than the central piece…

i kept meaning to blog about man on wire when i first saw it, but couldn’t ever find the words. It’s an extraordinary film, one i still think about. a couple of friends have said they won’t see it because they’re terrified of heights. i’m not good with heights [i’m not scared i’ll fall, i’m scared i’ll jump], and it didn’t bother me at all when i was seeing the film. oddly though, later that night i was lying in bed, and i felt almost paralysed with fear as i thought about what Philippe Petit had done. he was walking – dancing – on a tight rope, a quarter of a mile above the earth. it’s a film about passion and courage and the pursuit of dreams, but more than that, it’s about wonder and awe and defying the hypothetical and real laws of gravity that would keep us pinned to earth. i loved it.

tonight we’re having a between the spaces dinner to plan a christmas ‘moment’… and then i’m off and away for a week. see you when i’m back.

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